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![]() Expert authors Josh and Ellen Anon have spent years perfecting their visual-intensity based approach to composition, and in this gorgeous, full color guide, they'll share their techniques with you so that your overall photographic experience, both in terms of time investment and quality of output, will become a much more satisfying one. Rather than wasting time blindly trying one approach or another until something seems right, the quality of your imagery and the speed of your workflow will both vastly improve once you are able to articulate why you prefer one image to another. Both Ellen and Joshs images are represented by the prestigious Jaynes Gallery. I don’t recommend this method, but you can try it using the steps below. Method 2 involves one really long exposure. 2.4K views, 207 likes, 2 loves, 3 comments, 28 shares, Facebook Watch Videos from Joseph Hernandez Photography Art: Un pequeño fragmento experimental realizado en Ráquira, Boyacá. Next, each of these exposures is layered in Photoshop, producing a star trails image. ![]() It is developed primarily for Star Trail Photography where the relative motion of the stars in consecutive images creates structures looking like star trails. Method 1, covered below, takes 50-100 exposures of the night sky, with the exact same composition. On weekends when hes not shooting, he teaches photography workshops. Download and Installation StarStaX is a fast multi-platform image stacking and blending software, which allows to merge a series of photos into a single image using different blending modes. His work has appeared in a variety of media. What usually is not covered is what needs to be done beyond obvious exposure, noise, and sharpening issues so that you can intuitively recognize the difference between a good and bad image, and most importantly, why. Josh Anon is a technical director at Pixar Animation Studios and has been a nature photographer for over half his life. So how do you know the difference? Perhaps you've read a lot of material on how to use your camera, how to manage images, and/or how to make adjustments using different software programs. A fascinating subject doesn't necessarily result in a good image, and likewise, it's possible to create an outstanding image of a mundane subject. ![]() A good image is more than just acceptable exposure and sharp focus - two components that photography instruction concentrates on. ![]() ![]() ![]() But when you stick pre-recorded, NON-interactive characters in this place, it goes against everything that VR can do and falls short of what traditional cinema does so well. All of that inherent interactivity is what makes immersive VR so exciting. Virtual Reality is designed to be interactive: you want to move and explore, walk, run and fly, you want to hold and use objects, navigate that world freely. It’s fun to be inside a virtual space but I have yet to get sucked into a story the way I do with cinema. If you are standing in a virtual space that looks and sounds and ‘feels’ real, the experience of watching pre-recorded actors (either photo-real or more cartoon style avatars) feels weird to me and I get very little emotional connection to the characters or the story. That same paradigm functions very differently in a virtual reality environment. ![]() VR has really the power of letting you be part of a story (Image by STX Surreal) Beginning of the VR movie “The Limit” by Robert Rodriguez. We know it’s a story on a screen, our mind kind of ‘clicks’ and goes into ‘story-receiving’ mode and we’re ready and willing to believe the characters and emotionally connect to them and the story. When you’re watching a film on a screen, that fourth wall between you and the story actually helps you suspend your disbelief and emotionally fall into that story. ![]() There’s nothing out there yet that can do this, and I believe one of the critical elements that keeps getting overlooked is the emotional connection between an audience and the fictional characters of the story. Yes, there are some powerful 360 video documentaries out there, and some immersive stories told with gaming engines are clever and enjoyable, but nothing I’ve experienced yet comes close to what I’m after: I’m looking for a well-written story, set in a completely immersive virtual world, using cinematic techniques of design, music, sound, and light, with meaningful, believable, and emotional performances from actors. I’ve watched and experienced many stories told using all varieties of Virtual Reality technology, and to me, they mostly come up short. However, to date, the results have been underwhelming. And as virtual reality technology became available to filmmakers, many of us have been experimenting to see what is possible with this exciting new toolset. I’ve had a lifelong obsession with wanting to not just watch a film, but experience it, from inside the magical world of the story. Hello everyone! I’m Jason Moore, I call myself a cross-platform visual storyteller since I write, direct, and produce in film, single and multi-camera television, theater, and emerging media. It will be a long and amazing journey inside VR storytelling.īefore leaving him the mic, I want to suggest you fund The MetaMovie project on Kickstarter, so that it can become a reality. To discover more this cool project, I have contacted Jason Moore, the mind behind MetaMovie, that will give you a long description of it. Furthermore, the MetaMovie starts with interactivity in mind and this means that the viewer becomes completely part of the story and can interact with it. This is more complicated to be organized (exactly as organizing a show in a theater is far more difficult than projecting a movie in a cinema) but has the advantage that is able to create a real bond between the actor and his/her viewer. ![]() What is really interesting of MetaMovie is that it mixes this with theater: the characters of the story you are immersed in are not simple recordings, but are actors performing live just for their audience. ![]() ![]() Europe, the GM dexos2™ standard is suitable for the whole range of GM-OPEL Diesel engines (including DPF versions) and In countries with relevant Diesel passenger car market shares e.g. Outside those countries, an approved BMW LL-Ġ1 lubricant such as MOTUL 8100 X-CESS 5W-40 or 8100 X-MAX 0W-40 is required. It covers all BMW engines from 2004 andĪlso all BMW engines before 2004 as BMW LL-04 covers all the previous BMW specifications such as BMW LL-98 and BMW LL-01.ĪTTENTION: BMW LL-04 product can be used for gasoline engines only in European Union countries, Switzerland, Norway and Liechtenstein. The BMW Long Life-04 specification imposes severe constraints to the lubricant particularly due to Valvetronic and after treatment systems compatibility. Performance and durability for most of their recent vehicles (since 2006), especially Diesels with DPF. Numerous Asian OEMs such as HONDA, KIA / HYUNDAI, MITSUBISHI, NISSAN, SUBARU, SUZUKI, SSANGYONG, TOYOTA,… recommend an ACEA C2 or C3 lubricant to guarantee the maximum ACEA C2 and C3 lubricants achieve extended drain intervals as managed by the vehicle on-board computer. ![]() MOTUL 8100 X-CLEAN EFE 5W-30 brings high lubricating properties such as wear protection and high temperature resistance for better controlled oil consumption. MOTUL 8100 X-CLEAN EFE 5W-30 has synthetic base stocks coupled with specific friction modifier molecules and dedicated SAPS levels that generate outstanding oil film resistance, reduce friction in the engine and provide after treatment device compatibility. The ACEA C2 standard requires significant reduction ofįriction to ensure gains in energy savings, and therefore fuel economy benefits. The ACEA C3 standard requires from the lubricant significant oil film resistance and low emission performance during use in powerful engines. Also, Sulfated Ashes clog DPFs leading to shorten regenerating cycles, quick oil aging, higher fuel consumption and engine power loss. Indeed, Sulfur and Phosphorus inhibit catalytic converter operation leading to inefficient exhaust gas treatment. RECOMMENDATIONS: HONDA, KIA / HYUNDAI, MITSUBISHI, NISSAN, SUBARU, SUZUKI, SSANGYONG, TOYOTA,…Įngines compliant with Euro 4, 5 and 6 emission regulations are fitted with sensitive exhaust gas after treatment systems. Suitable when a 'Fuel Economy' lubricant is required: ACEA C2 standard.Ĭompatible with catalytic converters (CAT) and Diesel Particulate Filters (DPF).ĪPPROVALS: BMW LL-04, GM-OPEL dexos2™ (replaces GM-LL-A-025 & B-025) under N° D20247HE011,MB-Approval 229.52,VW 505 01 a low friction, low HTHS (= 2.9 mPa.s) viscosity and 'Mid SAPS' oil with reduced content of Sulfated Ash (=0.8%), Phosphorus (= 0.09%) and Sulphur (= 0.3%). ![]() high HTHS (> 3.5 mPa.s) viscosity and 'Mid SAPS' with reduced content of Sulfated Ash (= 0.8%), Phosphorus (0.07 = x = 0.09%) and Sulfur (= 0.3%), or an ACEA C2 engine oil i.e. For vehicles that are Euro 4, Euro 5 or Euro 6 emission regulation compliant and require an ACEA C3 engine oil i.e. ![]() Specially designed for the latest generation cars, powered by Gasoline and Diesel engines, naturally aspirated or turbocharged, direct or indirect injection. Approved by BMW Group, GM (General Motors) Opel, Mercedes and VW for its Extra FuelĮconomy property. Gasoline & Diesel lubricant - EURO 4, 5 and 6Īdvanced 100% Synthetic lubricant that provides at the same time High Protection and Fuel Economy. MOTUL 5W-30 8100 X-CLEAN EFE 100% SYNTHETIC - ESTER BASED ENGINE OIL ![]() ![]() Want to prove how good you are at swimming by winning while wearing a heavy school uniform? Have at it. Want to wear a beach volleyball bikini while BMX racing? You can do that, and it’s awesome. What’s more, you can mix and match these costumes by event. In addition to a standard “realistic” version of each sport’s costume, you can earn points from playing, and spend those on everything from school uniforms, to maid costumes, traditional Japanese wear, superhero costumes, space suits, the Tokyo Olympics mascot, and swimwear. Here are also so many costumes to play with. You don’t have to spend 30 minutes explaining to the next person to get the controller that the goalkeeper AI responds to how you feint or the degree to which you press the trigger, just a basic understanding of the sport’s rules. It means the games are easier to explain, easier to understand, and easier to get into. Also unlike FIFA, or NBA, or MLB, or mostly every other sports game on the market, Tokyo 2020 has to include multiple games within it – we’re talking judo and boxing and sports climbing, athletics, 100m sprints, tennis, table tennis, football, rugby, basketball, and actually a fair few more games. ![]() With clean and crisp visuals and gameplay that’s easy to learn and more intense to master. Fun at face-value with significant underlying depth, Olympic Games Tokyo 2020 – The Official Video Game bursts off the blocks at lightning speed and doesn’t break stride, pushing for gold and delivering a fun experience along the way. ![]() Pair this with a vibrant artstyle and some decent online options, and you’ve got the gold standard in athletics right here. A varied selection of events, each with their own addictive gameplay mechanics, makes for an entertaining package with plenty to see and do. In an era where arcade titles are few and far between, Olympic Games Tokyo 2020: The Official Video Game serves as a reminder that SEGA is still the champion of effervescent sports games. In fact, You would say that the difficulty in this stage of the competition is disproportionately difficult and bagging first-place medals in the qualifier and semi-final only to finish last after being effortlessly thrashed in the final. Whilst the qualifier and semi-final competitions to be very straightforward for the most part, the final represents a huge spike in difficulty. To that end, each event is separated into three difficulty levels: qualifier, semi-finals, and finals, with the skill of opponents increasing each time. The result is a game that is easy to pick up and play in short bursts but still containing enough depth to make longer time investment worthwhile. The complexity of each individual event ranges significantly, with simple basic button mashing and occasional timed presses being enough to see your success in events like hurdles and swimming but with the likes of baseball being very strategically deep and presenting a steep learning curve. Loading into each event is prefaced by some brief information regarding the real-world location in which the event would be taking place and some incredibly smooth transition effects that look straight out of an official Olympic highlights reel. First PlaceĪt its core, the Olympic Games Tokyo 2020: Official Video Game is a collection of eighteen individual sports mini-games ranging from running events like hurdles and 100m sprints to more unexpected inclusions like baseball and basketball. ![]() The avatar designer is relatively deep, but the entire release subscribes to a consistent art style which is cartoony in a compelling way. You’ll start out by creating a star athlete, and from there you’ll be able to surround him or her with teammates and partners, all of whom will support you on your pursuit for gold medal glory. ![]() There are no sticker packs in sight here: just a vast selection of minigames for you to enjoy across a variety of modes. Players can make their own players, have and play against fictional players in any mode, or licensed players by playing vs top athlete in training mode. The game features 80 national teams and 18 events. Olympic Games Tokyo 2020 Free Download Repacklab ![]() ![]() Paramount Network – America’s new premium basic cable network, similar to competitors like AMC and FX. Thus paving the way toward the last rebranding episode in 2018, which resulted in the current name i.e. This went on till 2010, when Spike TV expanded the radius of its target audience and decided to tap the reality-TV genre. In 2003, TNN became Spike TV that focused on targeting the young male audience and came to include action-based programming in particular. ![]() After a year, in September 2000, TNN was rechristened as The National Network, and became a go-to spot for general entertainment at least for the audiences in Middle America.īut, hold on. Subsequent to its acquisition by Viacom, TNN phased out its existing programming for off-network TV series, movies, and sports entertainment to cater to a bigger chunk of audience. In 1995, TNN was acquired by Westinghouse, which was then acquired by Viacom in 1999. As you may have guessed, the network focused on featuring programming related to the southern region of the U.S. At the time, Paramount Network was launched as The Nashville Network (TNN). Paramount Network is an American pay television owned by ViacomCBS that has been entertaining all TV fanatics to the max since 1983. Watch Paramount Network on Spectrum 1-84 Paramount Network – How it All Started! Paramount Network on Spectrum, for instance, is a popular entertainment network that offers a plethora of immersive stories, and lets all TV enthusiasts enjoy cinema-like feels without the need to get all decked up to go to the movie theater or pay for the ticket. With its value-packed TV packages, Spectrum TV brings you a choice of up to 200 channels to fully satiate your thirst for juicy TV entertainment without breaking the bank. ![]() ![]() Whether you are a TV buff who likes to watch primetime entertainment a current affairs follower who cannot live a day without news updates a sports aficionado for whom the adrenaline rush is like a lifeline a family with kids that loves to spend time around TV every evening or someone who relaxes with aesthetically pleasing living spaces shown in home improvement shows-Spectrum TV has everything that you need and much more to fuel your frequent binge-a-thons. ![]() Just days after its initial screening on November 26, 1942, American forces snatched Casablanca from Vichy control during Operation Torch, a string of allied landings in North Africa that helped change the course of the war.īut Morocco was still under Vichy rule when the film was made, so director Michael Curtiz shot his entire masterpiece at Warner Brothers’ studios in California. The Moroccan port city entered the cultural imagination of the United States at a key point in World War II, thanks to the moody romance starring Ingrid Bergman as Ilsa Lund and Bogart as Rick Blaine. On regular nights, the music sets the mood, from hip-hop Thursdays with DJs like Mark Ronson and Q-Tip to Morrissey and Smith Sundays.Tourists are flocking to a bar in Morocco searching for the spirit of Humphrey Bogart’s iconic, fictional nightclub, 80 years after the classic wartime film “Casablanca” hit the silver screen. ![]() So far, the SoHo spot has been a go-to for fashion week afterparties and had a launch party hosted by Purple Magazine. But, the common denominator is that you’ll definitely have a good time whether it’s getting sweaty and body-rolling on the dance floor, or people watching the celebrities, influencers and fashion it-girls that frequent the space. Paul’s Casablanca is a bit more luxe than Beatrice Inn and a bit more party-oriented than Paul’s Cocktail Lounge. He’s also currently the owner of two LA nightclubs (Paul And Andre’s and Smoke and Mirrors) and Paul’s Cocktail Lounge at The Roxy Hotel. Sevigny (brother of the legendary cool girl Chloe Sevigny) is the former owner of cult West Village club Beatrice Inn, known for its impossible door, where everyone from Kate Moss to the Olsen twins, to Prince could be seen partying until about 2009. D’Alleva is the former owner of the now-defunct Sway Lounge, known for the lowkey celeb and A-list DJ appearances. McPeck is the former frontman of the electro-punk band A.R.E. Sevigny and his co-owners Brian McPeck, and Dominick D’Alleva are no strangers to the nightlife scene and have perfected the craft of throwing a party to remember. Bartenders wearing kaftans and djeballas – traditional North African clothing. A $20 dollar cocktail served with mint, green tea and vodka called The Casablanca. Horseshoe archways and handmade leather poufs. Pierced glass lanterns hanging from the ceiling. ![]() There are colorful mosaic tiles creating backsplashes for the sage banquettes. ![]() The venue is formerly known to night-life veterans as Sway Lounge, where Sevigny played his first Morrisey x Smith night and established an ongoing 14-year tradition.Įnter into the nondescript building of Paul’s Casablanca and you’ll be transported into the luxe nightclub version of a Moroccan garden, keeping the same motifs as the previous tenant, telling the New York Times the only difference in the interior is “extreme cleanliness.” Walk too fast and you might miss Paul Sevigny’s newest nightlife spot, Paul’s Casablanca. ![]() It is a 100-year-old New York City landmark, guarded by two international flags – one from America and one from Morocco. As you approach 305 Spring Street in Soho, there is a neon-lit, green and red sign that reads “McGovern’s Tavern,”. ![]() ![]() Also you can extract audio from popular video formats including high. 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